The collaborative bi-coastal project between Andi (NYC) and Machino (LA) is dark, spiraling music that conflates the tension of running EBM basslines with the monstrosity of electro-saturated, industrialized beats. In 2021, Andi and Machino began sending music back and forth to each other virtually—thousands of miles apart—as they built upon their passion for creating off-the-cuff, dangerously degenerate dance tracks.

Parafernales, their first release out this summer on Mannequin, is a conceptual EP that deals with power struggles: love and lust, strength and destruction, dominating and domination. Andi's vocals are spoken, whispered, and yelled simultaneously, as if to mirror the mania of having control and losing it at the same time. The EP title, Parafernales, is a nod to Machino's first language of Spanish and stems from the idea of miscellany: it is parafernalia for drugs, or, simply, accessories for unsavory activities. With inspirations from turn-of-the-90s erotic thrillers to the Chilean post-punk band, Los Prisioneros, the duo collide in a manner that is unadulterated and, at times, completely unhinged.

Machino is an electronic performer and music producer from Mexico based in Los Angeles who started out making moody ambient, techno and has now pivoted towards industrial music. He has released several EPs on different labels such as Tresor and X-IMG. Andi is a DJ, producer and music journalist based in NYC. She runs the nine year strong label/party SYNTHICIDE and has released on aufnahme + wiedergabe and Mecanica.

For live booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Autumns is an outlet for electronic post-punk, fused with elements of dub and sound experimentation. The project showcases a love of whip-cracked rhythms, heavily effected vocals and no-wave guitars, processed through dub techniques within the mixing desk. An obsession with freak sounds leads to a high-intensity live show, using minimal equipment for maximum results.

After a brace of rough demos, the project emerged fully formed on Karl O'Connor's (aka Regis) label Downwards back in 2014, joining a vanguard of artists that includes Tropic of Cancer, Samuel Kerridge and British Murder Boys. Building on his continuous prolific journey with releases on Detriti, Death & Leisure and Opal Tapes, Autumns has taken the project to forms of dysfunctional metal dance, dubbed-out rhythms and DIY punk angst.

Autumns has also ventured outside the typical music world by taking up projects such as performing alongside Samuel Kerridge at the 2016 edition of Paris Fashion Week for Downwards, creating a sound installation at Void Gallery (2019) and improvising a desolate live score for David Lynch's Twin Peaks: Fire Walk With Me (2016). The need for musical exploration runs deep in the release of his shoegaze project with Kris Baha (2020) and the debut industrial dub collaboration with Oliver Ho (aka Broken English Club), Vacant Heads (2022).

Alongside a heavy touring and release schedule, Autumns also curates a monthly radio show, Dyslexia Sound System, on Bristol's Noods Radio, where he plays a mix of his favourite artists and solo material and invites friends to produce guest mixes and live sets.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Baby T mastermind Brianna Price knows her way around a dance. Years spent producing, DJing and touring under the B.Traits alias have given her a vast knowledge of rave culture. In a sense, Baby T allows Brianna to go back to the start. While the successful DJ/production career as B.Traits has demonstrated her love for so many different kinds of club music, as a teenager she cut her teeth at jungle raves. When operating as Baby T she zeroes in on the hardcore principles learned in those early days behind the decks.

However, Baby T is more than just Price rekindling an old passion. This project also expresses something innate to her artistic vision, a need to make bold, dark, visceral work. As Baby T, Price flips the buoyancy of B.Traits’ music into something far moodier - in her own words, “B.Traits is more the front-facing ego, and Baby T is what’s been sitting in the shadows.”

With the launch of her new Banshee imprint, Baby T draws on the “esoteric aggressive feminine energy” of the folkloric figure which gives the label its name. Anyone who has encountered a Baby T tune in a dark basement over the years should know that there will be no messing around with Banshee’s output. Baby T specialises in hardcore rave tackle schooled by junglism, electro and darkside techno, the project’s sound honed via releases on labels like Samurai Music and Central Processing Unit. It’s a style at once wild yet focussed, untamed yet laser-precise.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Barkosina is a Czech performance & music artist, DJ, and half of the electrifying duo Years of Denial.

Since arriving in the UK, she made her first appearance as a DJ at the infamous Kaos London at Electrowerkz, and flourished into performing across Europe. Her DJ sets oscillate in-between Ambient and Rhythmic noise, Industrial Techno, Broken Beat, and EBM combining heavy bass, dynamic kicks with vocals and noise. Diving into melancholia, beauty, and divine madness her dark romanticism and creativity spark across dancefloors.

She is the voice of Years of Denial, profound and wounded at once. Her expressionist narrative takes us to an unknown yet familiar place, amplified by dub delays, otherworldly reverbs, and radio distortions.

Barkosina is an autodidact with a strong engagement in music and literature, well manifested in her recently written work "Fasting Culture" a book publication and audiotape published on Modular Mind Record Label. 

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Bryan Black aka Black Asteroid started his music career as a sound designer and keyboard tech for Prince at Paisley Park Studios in his hometown of Minneapolis. While working for Prince, Black proceeded to create his own music under the name Haloblack and then Motor for labels such as Mute and Kompakt.

These records caught the ear of Martin Gore from Depeche Mode. Soon after, Black was on tour with Depeche Mode and recording songs with Martin Gore. Together Black and Gore wrote a top 40 single “Man Made Machine”.

In 2011, the debut Black Asteroid single, “Engine 1” introduced Black Asteroid to the world - a unique industrial techno sound that quickly took off, propelling Black to play at clubs such as Berghain and Tresor in Berlin, Khidi In Tbilisi, Fabric and Fold in London and countless major festivals, including being a face of Amsterdam Dance Event. The focus was in favor of song structures and vocals in a techno template.

After a string of critically acclaimed EPs on CLR and Electric Deluxe, the debut album “Thrust” was released in 2017 with many cross over singles, featuring vocals from Zola Jesus, Cold Cave and Michele Lamy.

The fashion designer Rick Owens picked up on what was happening, and used Black's music for his runway shows in Paris. The two quickly became friends and collaborators.

In addition to working in the fashion world, BLACK ASTEROID has released a collection of sunglasses with Valley Eyewear and also soundtracked a collection for the designer Raf Simons.

In 2023, Black Asteroid released 2 EPs- “Acid Flesh” on CLR, and “New Flesh” on PLS UK - showcasing a more experimental sound, utilizing vocals and guitars.

In early 2024, Black Asteroid will release a string of new singles followed by the second album, “Infinite Darkness” on Art of Fact records. This highly anticipated album was produced over the span of 5 years, and will feature some incredible talent such as Ian Astbury of The Cult, Actors, Louisahhh, Michele Lamy, Front Line Assembly, Blush Response and Speedy J.

This truly original, crossover record, goes where techno has never gone before. Guitars and vocals feature prominently on the album, alongside a wall of modular synths to create solid machine driven grooves and atmospheres, that coalesce with the live performances, a sound that is exclusively Black Asteroid.

For DJ/live/hybrid booking inquiries and offerings worldwide*, please contact antonia@altaragency.com. Thank you.

*IT - Alberto Visi - visialberto@river9.it

There’s no doubt that British Murder Boys laid down the blueprint for the current techno sound and it’s never been bettered.British Murder Boys meld sloganeering track titles, riotous live performances and a very British aesthetic.  British Murder Boys were some unhealthy combination of Peter Cook and Dudley Moore, Whitehouse and a leading figure of industry snapped in the tabloids with his pants down and a satsuma in his mouth.  British Murder Boys continue the great British traditions of the ritual accumulation of sexual energy, rock & roll, black humour, provocation, angst music for sex people and not taking yourselves too seriously while taking things very seriously indeed.

For live booking inquiries and offerings worldwide*, please contact antonia@altaragency.com. Thank you.

*In collaboration with Michael Matuschek of Triangle Agency (Surgeon).

Those familiar with Oliver Ho’s fearsome and often brutal futurist early EPs on Blueprint, Drumcode, Surface and Meta will be aware of his ability to inject a dark narrative into functional electronics. With Broken English Club, he delivers monotone vocals and shards of live instrumentation over slamming beats and bleak synths. The blank-stared, pin-point-focused electronics and layers of noise display post punk influences, dragging together industrial experimentation and pitch-black club techno.

His debut on Jealous God was followed by several releases on Veronica Vasicka's Cititrax (one split with Silent Servant). Following these first defining musical statements there came a string of 4 albums on Ron Morelli’s Lies records, exploring metallic warehouse techno and synth wave noise, the most prominent of which was the White Rats trilogy, a 3 album saga that explores ideas of violence and the dark aspects of human behaviour, both personal and politicial. Broken English Club is not only a production alias for Oliver but also a dynamic live show, that encompasses live vocals and electronic drum percussion, performing all over the world in clubs, live venues and art galleries. Recent highlights include, Berlin Atonal, Fabric, Tresor, and Dekmantel Festival.
Oliver continues to develop the project with a vision that sets a tone of both atmospheric cinematic suspense and electric charged raw techno.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Across a long and distinguished career, B.Traits (Brianna Price) has proven herself to be a musical artist of great versatility and panache. Equally comfortable commanding festival stages as she is spinning jungle tunes in dark, intimate clubs, B.Traits backs up an enduring love of her craft with a tireless work ethic and commitment to showcasing fresh, exciting music.

The B.Traits journey begins with the UK rave sounds that Price absorbed as a teenager growing up in Nelson, British Columbia, Canada. After Price began to DJ the jungle, drum ‘n’ bass and garage records that she heard on late-night music television shows, a move to Vancouver in 2004 saw her rapidly establish herself as one of the city’s most skilled selectors. B.Traits began to pick up bookings elsewhere, and after being brought into the Digital Soundboy collective of legendary junglist Shy FX, Price moved to London to further immerse herself in British club music.

Her time in the UK has seen B.Traits become one of the most celebrated figures in the game. Price was a fixture at the BBC for six years, presenting flagship shows and festival broadcasts for Radio 1 as well as helming the documentary special How Safe Are My Drugs? on BBC Three. In 2013, B.Traits’ own productions achieved further prominence when her buoyant, rose-tinted rave anthem ‘Fever’, a collaboration with vocalist Elisabeth Troy, cracked the UK singles top 40.

Price’s commitment to championing the grassroots has given birth to a new alias in recent times - Baby T. Baby T is a livewire new outlet for Price, one which draws from darkside strains of jungle and breakbeat machine-funk to create an electrifying brand of club music.
Her DIY approach has led her to helm her own labels - the IN.TOTO imprint via which she has issued several B.Traits efforts, the ambient-leaning Paciphonic, a project which encompasses not only record releases but also live streams and events centred around music’s more meditative qualities, and most recently, Banshee, an outlet for Baby T’s darkside dancefloor delights.

Even as her stock has risen ever-higher, B.Traits has stuck by the underground principles of the scenes which gave her her start. This year, Price has lined up further Baby T records for summer of 2024, new B.Traits material in the pipeline, plus rumours of a new monthly radio show - her passion for what she does remains as unshakeable as ever.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Based between Athens and London, Lee Adams is a multi-media artist, DJ and curator who has worked extensively with sound, film and visual installations, from re-scoring a lost David Toop soundscape for conceptual artist John Latham, to collaborating with noise violinist Mia Zabelka on the touring project Rotten Sun.

Working under the name Choronzon he plays expansive and cinematic dj sets fusing elements of techno, noise, experimental electronics, synthwave and body music for clubs, galleries and festivals across Europe, North Africa and the Middle East.

In addition to his eighteen year residency at the helm of Kaos London, Lee has made guest appearances for the CTM Festival at Tresor, Forte Festival, Champ Libre, Macadam, Balenciaga at Rex Club Paris, Gegen Berlin, Astron Bar for Fasma Festival Athens and Exist, the first electronic music festival in Ramallah, Palestine. He recently curated and performed at The Boiler Room: Kaos London edition and has completed a four year residency on Rinse FM. He has created podcasts for New Brvtalism, Phormix, Root Radio (Istanbul) and Mindless (Morocco). He runs Khemia Records and also curates the Kaos London Podcast series.

Most recently he has started producing in collaboration with LAW334 as S U T U R E. Their track Panspermia was released on Khemia Records in 2021 and Vajra was included on a vinyl V/A by the Georgian label Murder Tbilisi in June 2022. Upcoming releases for Exist (Palestine) and Liber Null (Berlin) are currently in production.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Chicago-born Clarissa spent his teenage years digging true Wax Trax! records, later falling down the techno hole and cutting his teeth as a DJ in NYC. Now living in Berlin, he’s head of Braid Records and occasionally let loose to DJ acidic laced techno, EBM and wave.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Regis and Russell Haswell.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

CORECASS is the solo brainchild of distinguished Hamburg-based musician and composer Elinor Lüdde.

CORECASS is able to look beyond the conventional approach and fuse together instruments such as harp, organ, keys, guitar and her voice. In combination with field recordings, sounds and synthesizers, Lüdde creates something truly rare and expressive. With her cliche-busting conceptions between electronic and non-electronic sounds, she conjures cinematic worlds of her own - elegiacally dark and atmoshperic. CORECASS has found a new way to explore and challenge both herself and the listener by evoking a wealth of feelings through her anomalous musical expressions, conveying a myriad of states through a series of movements and interludes. Filled with weaving audio narratives that transcend traditional genres, she pushes the boundaries of what can be accomplished through the medium of sound.

CORECASS just released her latest album „TAR“ on Moment of Collapse and Sacer Records. Comprising eight ardent tracks, it seamlessly blends dark ambient, post-rock, neo-classical, and electronica. The record contains vocal contributions by Colin van Eeckhout (Amenra), Ercement Kasalar (MOOR) and Barbara Lüdde.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

For live and DJ booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

EROS is the intercontinental trio of Karl O'Connor (Regis), Liam Andrews (MY DISCO) and Boris Wilsdorf (andereBaustelle Tonstudio/Einstürzende Neubauten).

Rather than adding up the merits these three have accumulated in projects over the last 3 decades and handing the listener a receipt for their investment, EROS sees each member surrender his assets and build something entirely new. Wilsdorf's signature sheen was honed over decades, from a start working at Hansa Tonstudios under Jon Caffery, to his tenure as Neubauten's engineer/producer/sound man of choice. This is evident in his final mix, but this trio speaks in its own voice, one that is greater than the sum of its parts. O'Connor's mastery of rhythmic languages is present, but not in a way that kicks us in the shins. Subtlety and dynamics work their magic so that when Andrews's bass booms out, it speaks with vitality and authority. Ultimately, EROS is threatening to concede to a pop sensibility, albeit one that exists in a uniquely twisted wasteland that is worthy of the Berlin lineage in which it was birthed.

For live or live a/v (with Marco Ciceri) booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

FOTOCOPIA is the implementation of a hypothesis. As a method: in the dark, throw yourself and stumble intermittently with the light. You don't know what you've just seen and that's okay. Let's forget all architecture and practice this eerie aerobics together.

It sounds digital but greasy. Harsh but pop. Sounds like what used to be the future. Anyway, these things, like corpses, are only labeled after the fact. Proto-EBM-industrial-galician-noise-post-punk is ok?

FOTOCOPIA has just released a 12" EP co-released by the labels Màgia Roja, Flexidiscos and Interruptor.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Frecuencias Ancestrales is an audiovisual exploration into the ancient sounds of Mexico by /beyond/ & Pedro Maia.

The project’s initial idea comes from Fran Mora (/beyond/), an experimental audiovisual artist from Seville and based in Barcelona, after listening to a piece of work on traditional music from Mexico called ‘Kuikakoyoltin’, edited by México Antiguo. Fran Mora as a musician, is focused on the experimental and conceptual sounds of electronic music.

Pedro Maia is a Portuguese filmmaker working predominantly with 16mm and 8mm film, pushing the boundaries and aesthetic of analog cinema by manipulating the raw materials and challenging the traditional process, continually expanding the visual and technological heritage of classic film methods.

In this collaborative creative process, the two artists review the standard and referential elements between the ancient piece of Mexico and the advanced, contemporary music of the 21st century; They create a dialogue between the methodological possibilities and the formal and aesthetic results of each one.

The artists seek symbiosis and synergies between ancient ritual sounds and repetitive rhythms adopted by various currents of avant-garde music.

For booking and offerings, please contact antonia@altaragency.com. Thank you.

Furfriend is your sloppiest wet dreams turned reality. From the depths of warm and tight cavities come the two stud dogs Dingo Tush (vocals) and Das Uberdog (production)born in a place in space and time where all things are created equal and lovechilds sprout from all kinds of couplings, they tell tales of universal pleasure and love without limits. But that is not all! Packaging their subliminal messages about the state of the world in pink, moist porn candy you’ll soon find yourself turned into a woke lefty snowflake if you listen to their banging gayporntechno for too long.

The dogs have made a quick name for themselves and kickstarted their career on Killekill records but with releases on Perc Trax, BPitch and Void+1 under their flea collars, the world has now become their playground and they are the nightmare of hydrants across the world as their territory expands.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

God Is War is the solo endeavor of Lebanese-American artist Mack Chami. Formed in 2018, God Is War set out to compose a much more aggressive, bright, glitchy and colorful approach to noise and industrial. Quickly gaining ground with releases quickly sold out on No Rent, Industrial Coast, Phage Tapes, and Deathbed Tapes it was clear the heavy impression the act was having on the various noise and industrial scenes throughout the world. It would be in 2022 when both “I Have No Enemies, I Permit No Such Thing” (Federal Prisoner) and “Predation Perfected” (Closed Casket Activities) would really catch the attention of all. Continuing to showcase the strength and diversity of the project‘s ability to shift between both electronic music and noise/industrial, God Is War would begin touring. In 2022 God Is War got to open up for Blood Incantation, Full Of Hell, Vermin Womb, and Mortuous on a full USA tour. In 2023 saw the release of the God Is War/Andy Nolan collaboration album “The Hunt” (Closed Casket Activities) showcasing more dub and hip hop influences then previous releases, including a full hip hop track with Toronto based rapper New Villain. That year GIW got to tour the UK as well as another full month USA/Canada tour with Knoll.

In 2024 we will see the release of “Boogeyman Inc.” on Profound Lore Records. Marking another strong release that consists of glitchy-IDM type beats across 7 tracks. God Is War is looking to break more boundaries, more stereotypes, and more rules with every release. Never allowing an audience to dictate or influence, one could consider GIW an ever evolving chameleon or octopus blending into its surroundings yet still remaining itself.

For booking inquiries and offerings worldwide*, please contact antonia@altaragency.com. Thank you.

*For bookings within NA, please contact ethan@heavytalent.com.

Born and raised in London (England), HELM is an electronic musician known for his intuitive approach to sound design and immersive sonic landscapes. Taking elements from drone, noise, ambient, and industrial music, HELM creates dense, textured compositions that challenge the boundaries of conventional electronic music. His work explores the intersection of abstract sound and physical space, using both analogue and digital techniques to craft deeply atmospheric pieces.

HELM has released critically acclaimed albums on labels like Dais, PAN, and his own imprint Alter, maintaining a consistent presence in the experimental music scene for over a decade.

HELM has also toured extensively across 5 continents, performing in cities as far-flung as Cairo, Tokyo, New York, Melbourne, Tunis and Athens. His live performances range from being both brutal and delicate, often incorporating the abstract visuals of his collaborators to enhance the journey and transform the regular gig environment. He has performed in venues as legendary and diverse as Berghain, Tate Modern, and The Tote in Melbourne, demonstrating the ability for his music to resonate across settings from major art institutions to clubs and intimate rock’n’roll dive bars.

Since 2016, HELM has also been a resident DJ on London’s flagship NTS Radio with his renowned AFTER DARK show, where he curates an eclectic mix from the fringes of Electronic music, Jazz, Punk, Metal and Noise. He is currently working on his seventh album, anticipated for release in 2025.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Iron Lang is the artistic alias adopted by Anthony Arcana, who hails from Italy. Following his studies in Sound Design, he delved into crafting electronic music, exploring genres ranging from Techno to Bass Music to Extreme Metal, Iron Lang can be described as a fusion of ambient, cinematic siege, and noisy deep bass elements.

Additionally, he embarked on the creation of his own analog instruments under the moniker Colossus Audio. Shortly thereafter, he ventured into the realm of sound design for the fashion industry. His debut LP is set to be released by Veyl.

For live/DJ booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Born and raised in Denmark, Isak Hansen performs as Iron Sight – his solo project with which he has released material on labels such as Total Black, Moral Defeat, Rengaine and Instruments of Discipline. His latest album ‘Chapter One, Decade’ was released on Strange Therapy in the beginning of 2019.

Iron Sight’s music crosses territory between dystopian sci-fi futurism and biblical eschatology – the end of the Ouroboros’ tail. With mechanical percussions, bristling synths resembling locust drones descending upon rotting fields, a voice made from barbed wire emerging from a storm of reverb that gives his music an incredible power.

Isak’s other known project is The Empire Line, a trio comprised together with Posh Isolation’s Christian Stadsgaard (Damien Dubrovnik, Vanity Productions) and Jonas Rönnberg (Varg).

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Kareem, founder of Zhark Recordings Berlin has been presenting heavy armored track material since the year 96 challenging the auditory, pushing them deep into the abyss. His definition of the Zhark aesthetic lies in coveying a claustrophobic state > an atmosphere of threatening sound architechture constantly challenging the innocuous conventions of the electronic dance medium.

For Kareem booking inquiries and Zhark Recordings showcases, please contact antonia@altaragency.com. Thank you.

Korse - from corse / cors (a living body) is an electronic musical project from Geoff Wright. Known primarily in the DJ field as Presha, and as the owner / music director of Samurai Music / Horo, Korse is primarily a vehicle for production experiments in and around the edges of the Techno genre. Korse DJ sets reflect over 20 years spent immersed in electronic music culture.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Llimbs is the solo project of Hagen Ebejer, presenting his extensive variety of sharp drony soundscapes. Rushed, or at times downtempo, industrial rhythms are coalesced with harmonic echoes of mystical chants and cryptic ambient textures. Llimbs’ musical concept dwells within the experimental corners of rhythmic noise and immersive cinematic atmospheres inducing a cogitative state of mind.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Originally from Mexico, the Los Angeles-based producer Machino is known for his electro-tinged EBM productions. He’s been perfecting his craft for over a decade now since his beginnings in punk bands before his excursion into electronic music—the gritty intensity of his musical beginnings have directly influenced the approach to the project’s sound. This inherent toughness collides with the sleek precision of dance music built for the club, which resonates through punching kicks and unbridled, distinct track arrangements. From eerie analog fuzz to distorted, ghostly samples, Machino’s tracks embrace an intense darkness that few can achieve: aggressive and haunting, there’s much to unlock if you dare to plunge in.

Machino’s live sets are jagged, angular dance experiences that are created off-the-cuff—it is about the moment and the intimacy of his surroundings. No two performances are alike: each set creates an aggressive tension that causes the dancefloor to erupt as he blends harsh beats with electro elements and ferocious, running basslines. His remarkable performances have landed him at several prestigious events such as Sonar, Mutek and Boiler Room, while his productions have been found on Tresor via Helena Hauff's Kern Compilation as well as other labels like X-IMG and 99cts Records. Most recently, he released the electro-industrial collaborative ‘‘Parafernales‘‘ EP alongside Andi via Mannequin Records.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Originally from Poland, Monya has been based in Berlin for over a decade. Active since 2009, she released her first full length album for BCR in 2013. In 2014, she launched her own label ‘Corresponding Positions’. Followed by the successful growth of the project, Monya involved herself in supporting new faces in the scene by releasing their debut musical output.

Monya specializes in industrial techno, but she never kept her productions in one range. A multitude of approaches and experimentation are easily visible in her live sets which in order for one to fully grasp, one must bare witness.

In 2019, Monya was welcomed into the HANDS Family with her album "straight ahead" followed by a release on MORD in 2021.

Her latest effort on HANDS - "Einweg Ausweg Ende" came out in 2022 and her second LP for HANDS is already due in late 2023.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Unrelenting doom electronics from one half of Pact Infernal.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Regis & James Ruskin.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Choosing music as his life’s passion at an early age, Geoff Wright aka Presha has used many avenues to successfully exercise his creative ideas through sound.

Internet, radio, and nightclub DJ, event promoter, distributor, record label owner, producer, and artist mentor, Geoff continues to be actively involved daily in multiple projects after over 30 years in the business. From his Berlin home he now manages the Samurai Music Group and is the founder and owner of the Samurai Music and Horo labels - widely renowned for their forward thinking approach to curating and releasing music.

DJ’ing has been a focus for Geoff’s musical expression for over 20 years. Travelling extensively, he has taken the palette of sound that has formed as the Samurai trademark to audiences across Europe, Japan and Australasia. Presha sets focus primarily on the futurist Drum and Bass that is released on his Samurai Music label.

2021 saw the release of the first ever Presha solo EP on Samurai Music after musical collaborations with Ancestral Voices, Homemade Weapons and Sam KDC (as DiNT). Entitled RATS, the EP sought to summarise the influences absorbed during his 3 decades of involvement with Drum and Bass and was well received, with DJ Mag naming it their EP of the month (all genres).

A seasoned selector with over 2 decades behind the decks, Presha brings a wealth of maturity and experience to his selections with every set, ultimately reflecting the highs and lows of a life lived on the front-lines of music.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Baptism by fire.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Karl O'Connor is most certainly Regis and it is also highly probable that he propagates other pseudonyms. This has only added to the greater mythology surrounding the influential Downwards label that he has run with fellow art terrorist Peter Sutton (Female) since 1993. Unconventional and single-minded to say the least (what label can boast a back catalogue free of the industry standard cash cow remix ) by decentralising the focus on the dj/producer personality, he remains one of the more highly regarded creative forces within the British techno/electronic scene. Degenerate art indeed.

For live or DJ booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Canadian-born Rhys Fulber is widely known in the industrial and electronic music circles for his EBM trailblazing with Front Line Assembly, chart topping with Delerium, and dramatic melodies with Conjure One. Additionally holding a grey cardinal status in metal and a variety of other genres, Fulber is a respected producer whose discography and work speaks for itself. 
Rhys Fulber now opens a new chapter, sculpting both intricate and hard hitting music best described as "Future EBM" releasing on Sonic Groove, aufnahme+wiedergabe and his own imprint FR Recordings.

For management, booking and pr inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Rotten Sun is the performance collaboration between Mia Zabelka (e-violin, electronic devices, alien objects), Lee Adams (experimental dj), Kira O’Reilly (live art) and Kevin Craig (video art) inspired by the eponymous Bataille text, and the 1973 super 8 film by Derek Jarman referencing John Dee’s experiments with obsidian mirrors and the summoning of Angels.

Rotten Sun explore their alchemical fascination with base matter, light and reflection through movement, image and psychoacoustics – A gleaming razors edge, reflecting back the blank stare of the void.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

RUSSELL HASWELL is an artist, record producer, free improvisor, computer musician, noise aficionado, and curator. He was trained at Coventry School of Art, graduating in 1991. Russell’s extraordinary conceptual oeuvre resists easy summarisation, focused on the site-specific, performance and methodology of large-scale sound works, sometimes in surround. He has given solo audio presentations at major Art and Music festivals and events, in art galleries, concert halls, night clubs and rock venues in 29 countries and counting. Most recently at the Pirelli HangarBicocca and Coventry Cathedral. As a curator, he has delivered projects for PS1/MoMa, All Tomorrows Parties, Aldeburgh Music, Thyssen-Bornemisza Art Contemporary and Cafe Oto. He lives and works in Glasgow.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Releasing music since 2009 as Sam KDC, British artist Samuel Wood has grown into one of electronic music's most passionate developers of the outer edge. In recent years, Sam has been an integral part of the Grey Area label and sound, a creative musical pathway that ties a musical bridge between 85 and 128 bpm with crafty polyrhythms.

Omen Rising, Sam’s debut LP for Horo in 2019 was his first full length record to focus entirely on beat driven work. The album further incorporated the occult themes Sam has been using as pervading signifiers since his 2014 EP ‘The Order and the Entity’. Musically, Omen Rising saw the Grey Area sound rebuilt into a hurtling fireball of energy stretching the constraints of what we know as Techno until the straps are blown off.

Now working primarily with the Horo, Auxiliary and Samurai Music labels, Sam has also developed a razor sharp, primal, live show that has received rapturous response at events it has been performed at (including Tresor and Berghain in Berlin), and is continuously updated to reflect a cohesive summary of Sam’s evolving style, constructed for maximum effectiveness in the live setting.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

“We don’t write music, we make it.”

As befits someone who has never been shy of proffering an opinion or three, Karl (Regis) O’Connor has some thoughts about the state of today’s electronic music scene. Particularly when it comes to the overly commercial attitudes associated with what passes for most of modern-day dance music. “If you make something, it’s your dinner date with eternity,” he rails when discussing Sandwell District’s new album, End Beginnings. “That’s what you should be doing, you’re making a record. It’s not about making a track to fulfil something. No, that’s the difference between people who are in it for the music and the art and those who are just in it for the sesh.”

Make no mistake, Sandwell District, the shadowy techno collective, of which O’Connor is the lynchpin alongside Dave (Function) Sumner, have always been about the art. If they hadn’t parted in such bitter circumstances, one would describe End Beginnings as a hotly-anticipated comeback. But, quite simply, no-one ever expected their return. “I was always really averse to it,” he reflects. “It was always a very fractious relationship between me and Dave in particular. It was this rock’n’roll escapade, it wasn’t really dance music. Everyone left on bad terms, everyone walked out. I was left on the decks at Fabric. Dave didn’t turn up and that was that. There was all this hyperdrama nonsense. We didn’t speak for 10 years.”

They are, then, the real deal. In truth, they always were. They were the genuine article back in the early-00s, when Regis and his long-time confidant Peter (Female) Sutton established the artistic co-operative, first as an offshoot label to O’Connor’s influential Downwards imprint to release sonic missives by themselves, and then Function and Juan (Silent Servant) Mendez among others.

Unsurprisingly, Sandwell District remain true originals today. Over a decade since their last acrimonious blow out – Sumner not turning up to DJ alongside O’Connor at Fabric might have been the final straw, but in reality, it was death by a thousand cuts – Sandwell District are back. Older? Certainly. Wiser? Arguably. Still outspoken?Absolutely.

“To get beyond the spectacle you remain silent,” O’Connor avows. “You do nothing. And that’s effectively what we did. We didn’t release records. You’ve got to get beyond the spectacle, once you get dragged down into the whole messy soup…”

 The result is End Beginnings, a majestic coming together of cinematic techno and mind-bending dancefloor dynamism; an album that marries Drexciya’s idea of techno being an act of seditionary innovation to a sense of unbridled fun, an imperative that means an awful lot to O’Connor. “Having a good time is pretty much why you get into it in the first place,” he notes wisely. “And it is fun. I think we feel a lot more fortunate now, especially with what happened with Juan. We’re grateful.”

End Beginnings then is also a moving requiem to a fallen soldier – Juan Mendez. At the beginning of 2024, Mendez tragically died just as things were moving in the right direction for the collective. Mendez’s stunning artwork and visuals were always a central pillar of Sandwell District; indeed, he was working on a piece of art entitled ‘End Beginnings’ that was mooted to be the album cover. That work was never finished, but O’Connor and Sumner took the title to honour their friend’s contribution. It remains a fitting tribute to the stop-start nature of this rebel alliance.

“We were a real gang,” O’Connor reminisces. “We used to come into town, tear it up and go home. We got banned from about three airlines for fighting with each other. We used to turn up at the airport, get hammered and it would go downhill from there.” No wonder they were described as techno’s answer to Crosby, Stills, Nash and Young by online music organ, The Quietus. O’Connor laughs when that interpretation is put to him. “That’s brilliant,” he says. “It’s probably very accurate. As long as I can be Nash.”

Back in the early 2000s, this gang, fuelled by the spirit of unfettered collaboration had become a transatlantic clandestine super group comprised of Regis, Function, Silent Servant and Female centred around the techno mecca of Berlin and culminating in the release of 2010’s revered Feed-Forward album. The album sold out immediately (as did 2023’s long awaited box set reissue), but by then, the tumultuous alliance had come apart at the seams. The kinetic energy at the heart of the Sandwell District project couldn’t hold. Theirs was no post-acid house loved-up dynamic – this was pure, reckless rock’n’roll abandon. Something was bound to give.

The time to remain silent is now over. The catalyst for their reunion might come as a shock to some, mind. “I struck up a really close friendship with Mark Lanegan before he died,” explains O’Connor. “Which was weird. Mark Lanegan, king of grunge, friend of Kurt Cobain. He told me to keep going, to revisit Sandwell District.”

Even though O’Connor and Sumner had been blood brothers – metaphorically and literally at times – Karl couldn’t envisage working with his old sparring partner again; couldn’t see past the drama that had come to define their relationship. Lanegan had other ideas. “He said ‘it’s more than the sum of its parts and it’s important’. I began to think maybe it was a good idea.”

He continues: “The last time I saw Lanegan was at the Roundhouse. As I was going into the dressing room to meet him John Paul Jones from Zeppelin was coming out the other way. I remember thinking this is certainly something. I knew then it was something special and I had to listen to him because it’s good to listen to people and get over yourself sometimes. That’s what it was – getting over yourself.”

Even then it took time for relations to thaw. Mendez was the conduit between the friends-turned-adversaries. After much umming and ahhing on both sides a plan was set in motion to re-release the collective’s Feed-Forward album. The limited nature of its initial release, the mythology that had built up around it in the intervening years and its importance and influence upon everyone from Mute’s Daniel Miller to techno poster boy Daniel Avery meant their reformation was no exercise in nostalgia.

“You have to decentralise the ego for the good of the project,” O’Connor says. “And then it’s about reframing it in some way. You are going back to rebuild something, but the way things are now and people’s attention spans are so short in general, that it’s almost like it’s new again.”

The new album itself has its roots in underground techno - long-time connoisseurs will recognise Motor City impulses and 80s European industrial electro, while recent disciples will appreciate the post-Berghain rush – but it’s also a considered, dare-you-say, mature home listening experience. It verges from the ethereal psychedelia of ‘Citrinitas Acid’ to the hypnotic tribal drums of ‘Dreaming’, by way of the propulsive futurism of ‘Hidden’ and the widescreen electronica of ‘Least Travelled’.

With the lessons of the past learned, Karl and Dave worked on the album remotely – in London and Berlin respectively. A buffer was also put in place in the shape of Simon Shreeve, formerly of the dubstep outfit Kryptic Minds. When the final hurdle just couldn’t be surpassed and before stasis set in, mixing was handed over to Mika Hallbäck (Rivet). Seth Horvitz (Rrose) and Sarah Kranz (Sarah Wreath) were also enlisted to add to the collaborative spirit the collective has always benefited from.

Welcome back, Sandwell District, we have missed you. Your time is now…

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Litany of Curses.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

While borderlining the loupe of impractical terms, such as techno or avantgarde, the Swedish duo has for the past decade built a reputation for their sonic finesse rather than clear dramaturgy. Away from idolatry and escapism their music embodies a primitive urge to be alive.

Opposites attract and within that framework their performance continues to be a four leafed clover in contemporary club environments worldwide. By deconstructing the core of tomorrows dance floors SHXCXCHCXSH continually manage to create and destroy everything the consumer seeks and enjoys. Where context is nothing impression is everything and the beholder remains in the center.

For live or live a/v (with Pedro Maia) booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Oliver Ho’s post-rock/synth noise project Slow White Fall, established itself with 2 bleak and ritualistic records for Downwards, the home of alternative electronics run by Regis aka Karl O’Connor. BBC6 Radio-Music’s Steve Lamacq commented on the sound, describing the high pressured noise minimalism as “doing nothing and everything in 5 minutes”. Having debuted the Slow White Fall live show at the legendary Berlin Atonal event, the sound and intensity of the project has evolved and grown.

Exploring the space between ambient, post-rock and death metal, Oliver released the full length album, Flesh In The Modern Age in 2021, taking in wider sonic ideas. In 2023 came the album Flood on Avalanche Recordings, the label of Justin Broadrick, legendary member of Godflesh. Joining Justin’s label was a natural progression and the perfect place for the music to develop and grow. The album pushes further into heavier sonic realms, with dense distortion and doom laden ambient electronics.

Every new chapter of Slow White Fall, is a reflection of Oliver Ho’s singular passions and obsessions, a search for a sound that is both crushing and transcendental.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Statiqbloom is the brainchild of Fade Kainer. A project that began in 2014 in Brooklyn NYC, later becoming a duo with Denman C. Anderson (2016-2020). Fade was a member of the industrial doom band Batillus, noise synth dread project Theologian, and he has also worked with Jarboe (ex-Swans) and Attila Csihar (Mayhem, SunnO)))).

Currently based in Berlin, he is combining hardware and software in creating noisy modular-engineered industrial techno and building live sets by meshing heavy hard industrialised rhythms with unfolding blackened atmospheres and disorienting vocals.

Statiqbloom has released on Sonic Groove, Metropolis Records, Synthicide and Desire Records.

For booking inquiries and offerings worldwide, please get in touch with antonia@altaragency.com. Thank you.

Based in Chicago, Stave is the solo project of Jonathan Krohn. He also collaborates with Karl Meier under the name Talker. Along with Ken and Karl Meier he runs the label Standards & Practices. He has released on Downwards, UVB-76, Aiia Recordings and Repitch Records among others.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Dubbing in the dark since 1997.

Supreme Low is the mutant project of French musician Jerome Tcherneyan, in former times drummer of cult British band Piano Magic, music producer, DJ, and half of Years of Denial.

While not lending himself to categorization, he packs Narcotic beats, llbient, Dubmixology, Noise & Doom Bap, and isolationism. Creating tracks using mainly an SP1200 (a sampler associated with hip hop’s golden age and raw techno), a modular synth, various distortion units, and a plethora of dub modulations.

His debut EP “Still Ill” was released in May 2022 on Veyl Records, featuring the legendary Sensational, Broken English Club, Hypnoskull, Barkosina and Maenad Veyl.

For live/DJ booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Looking to take things to the next level? That’s when you put together Varg, Posh Isolation’s Christian Stadsgaard, and vocalist Isak Hansen for a boyband on steroids: THE EMPIRE LINE. This power electro meets post-punk formation, escorted by the harsh guttural sound of Hansen, ignites a rabid wave of raving that makes it one of the most explosive and intense live experiences one should have at a music festival.

The Empire Line is at the very forefront of the recent mutation of contemporary dance music, fearlessly throwing elements of the last 40 years of electronic music in a melting pot resulting in a both chaotic, inventive and entertaining dance music leaving speakers on fire.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Formed from the ashes of Rema-Rema and Mass in the early '80s, The Wolfgang Press were originally a trio of bassist and vocalist Michael Allen, keyboardist Mark Cox and guitarist Andrew Gray. They were one of 4AD's longest-running acts, and shifted from pitch-black, industrial-tinged post-punk in their early years to funky, hip-hop-inspired avant-dance as they stepped into the '90s. But since '94's 'Funky Little Demons' they've been relatively quiet. There was a compilation of unreleased career-spanning material mostly penned by Allen and Gray released in 2020, but 'A 2nd Shape' is the first all-new gear from the duo in almost 30 years, with Gray's brother Stephen replacing Cox on keys. It's a fitting move for Downwards too; not only do The Wolfgang Press neatly straddle the label's musical poles, but the band's '88 high point 'Bird Wood Cage' is an enduring favorite of Karl O'Connor's.

For booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Trace Amount is the solo project of Brooklyn-based producer, vocalist, and visual artist Brandon Gallagher. First conceived in 2019, Trace Amount took shape during the early stages of the pandemic, inspired by the grim realities of life in New York City at that time, and has evolved at a lightning pace ever since.

The sound is a harsh strain of industrial music, evoking apocalyptic dread through primal rhythms, layers of synth and noise, and Gallagher's distorted moans and screams. Decibel Magazine has hailed Trace Amount as a "one-man sonic demolition unit"; CVLT Nation has termed it, an "experimental industrial onslaught"; Post-Punk.com has warned, "Trace Amount is not for the faint of heart."

Influenced by the daily grind of urban existence and paranoid visions of a hyper-technological world, Trace Amount sets a dark tone, but on Anti Body Language glimpses of color appear from within the void. Oppressive bangers like "Anxious Awakenings" are balanced by tracks like "Tone and Tenor," featuring the sumptuous vocals of industrial-pop chanteuse KANGA, and the album's closer, "Suspect," which sees a sanguine saxophone weave its way into the mix.

‘‘Anti Body Language’’ is Trace Amount's first full-length but it follows a slew of other recent releases; Gallagher has been barreling forward in high gear for the past year. Some highlights of the past twelve months include: the release of Under the Skin, a remix collaboration with Pig Destroyer's Blake Harrison, released via Deathbed Tapes; the release of Alien Dust, a collaboration with Qual (William Maybelline of Lebanon Hanover), released via Faktor Music; a US tour with Black Magnet (20 Buck Spin); and the release of Endless Render 2.0, a redux of Endless Render, which features the drumming of The Dillinger Escape Plan's Billy Rymer, as well as a new B-side featuring remixes by Kontravoid, Qual, Michael Berdan (Uniform), and Misery Engine.

A testament to the power of collaboration; an example of the ways in which sound and vision can complement each other; a beacon of sheer drive and work ethic; Trace Amount is an exciting new force in the scene of industrial music and beyond. No limits.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Regis and Ancient Methods.

For live booking inquiries and offerings worldwide*, please contact antonia@altaragency.com. Thank you.

*In collaboration with Acheron (Ancient Methods).

Coming up in the music scene of Kansas City and currently residing in Detroit, Uun developed his interest in the fringes of sound as a guitarist in multiple bands before turning his focus to techno in 2012. Both his early work as a band member and his current output as a techno performer share a common exploration of darkness both in mood and in execution. Hard Wax described Uun's sound as a "straight ahead techno juggernaut."

Although he has been producing and performing since 2012, Uun’s profile has recently risen substantially, with releases on Mord, Soma, and Modularz. Resident Advisor referred to this ability to work within many different imprints and styles as “quietly infiltrating techno”, and compared his music to the latter days of the Sandwell District. As well as releasing on many noteworthy labels, he also has his own imprint to showcase the scope of his productions. Titled Ego Death, the label explores themes of existentialism, duality, and what it means to be an artist in the modern era. Now on it's fifth vinyl release, each strives to create a unique and varied atmosphere.

His live performance is an extension of hard-working music-first ethos. In this format Uun constructs thousands of studio hours into a powerful contained experience. Each outing can greatly differ as new elements are always added.

He is also involved in the label and event series Modern Cathedrals; known for their eerie broken beat techno and Eden events. While started as a fully Detroit operation, it is now hosting events abroad, the first of which was in Berlin.

For booking inquiries and offerings, please contact antonia@altaragency.com. Thank you.

Vacant Heads is the duo of Christian Donaghey (Autumns) and Oliver Ho (Broken English Club). Anyone familiar with their work, or underground electronic music in the last two decades, probably needs no further introduction.

Having worked together (Autumns' album ‘Shortly After Nothing’ was released on Oliver’s ‘Death and Leisure’ label) and shared stages over the years - Vacant Heads was born from a desire to both collaborate on tracks and form a live unit.

Their debut self-titled EP is a bold taster of where Vacant Heads are at and where Vacant Heads are headed. These four tracks reek of a brutal and busted city - after hours prowls with fuck all to do and nowhere to go.

Vacant Heads. Nothing up top. Pure body music.

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Christian Stadsgaard, also known as his solo moniker Vanity Productions, has become a crucial figure in the contemporary Nordic electronic and experimental music scenes in the past decade.

Emerged in the early 2000s in the experimental noise music scene, Stadsgaard is known for his innovation and elaborate expressive style. As Vanity Productions he turned to fuse together noise elements with introverted melodies and hereby creates desolated soundscapes and grand tales of modern turbulent conditions. Often with an existentialist touch and blurry sensibility, Stadsgaard paints sonic canvases of modern day melancholia. Under the banner “Broken hearts and broken electronics” Vanity Productions is oscillating between electronic experimentation, noise exploration and elevated melodic elaboration, directing tender forces with an assertive and impulsive streak.

Standing at the helm of the label Posh Isolation with Loke Rahbek, Stadsgaard is responsible for one of the most consistent and compelling labels to both define and elaborate the many productive sides of the underground in the last decade. As a performing and recording artist his work with Rahbek as Damien Dubrovnik was a critical project in the contemporary noise milieu throughout the 2010s. More recently his collaborative work with Jonas Rönnberg and Isak Hansen as The Empire Line has gained significant notoriety. However, it's in Vanity Productions that the full breadth of the emotive intensity of Stadsgaard's work is expressed. His collaboration with the seminal artist Merzbow in 2019 led to 'Coastal Erosion' album for iDEAL Recordings, prefacing a recent series of works that take their cues from minimalist composition. 

For live booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.

Xhin Lee is a groundbreaking Singaporean musician known for his avant-garde approach to music composition. Growing up in a musically diverse environment, Xhin developed a fascination with electronic music at a young age. As a composer and a multi-instrumentalist, his journey into music production began in the late 1990s when he experimented with various genres and techniques.

In the early 2000s, Xhin emerged onto the global electronic music scene with his distinct style characterised by intricate rhythms, haunting melodies, and industrial undertones. He gained recognition for his releases on prominent labels such as Stroboscopic Artefacts, Token, and CLR, among others. Xhin's music resonated with audiences worldwide, earning him a reputation as a visionary artist pushing the boundaries of electronic music.

Throughout his career, Xhin has continually evolved his sound, drawing inspiration from diverse sources including science fiction, nature, and urban landscapes. He is known for his immersive live performances, where he skilfully manipulates soundscapes to create intense and transformative experiences for his audience.

Xhin's discography boasts a diverse array of releases, including EPs, albums, and remixes, showcasing his versatility as a producer.

Beyond his solo work, Xhin has collaborated with various artists and contributed to interdisciplinary projects, further cementing his status as a pioneering force in electronic music. His innovative approach to sound design and composition continues to inspire and influence aspiring musicians and electronic music enthusiasts worldwide.

In 2022, Xhin took a significant step in his artistic journey by founding his own label, The Document, with the release of his album The Images Within. The label is committed to releasing music that reflects Xhin’s high standards of quality, free from genre constraints or biases.

Xhin remains an enigmatic figure in the electronic music scene, constantly pushing the boundaries of sonic experimentation and challenging conventional norms. With his unwavering commitment to artistic integrity and innovation, Xhin continues to shape the landscape of electronic music, leaving an indelible mark on the industry for years to come.

For live/DJ booking inquiries and offerings worldwide, please contact antonia@altaragency.com and lee@altaragency.com. Thank you.

Years of Denial is the project of French musician Jerome Tcherneyan, in former times drummer of cult British band Piano Magic and music producer since 1997, and Czech performance & music artist, lyricist, and singer-songwriter Barkosina Hanusova. Active since 2016, the duo has become known across the globe for their well-crafted sharp productions and electrifying live performances.

Utilizing hardware and a plethora of dub devices combined with Barkosina’s unmistakable vocals, the pair revisit the dark corners of post-punk, goth, new beat, EBM, industrial, and rave culture. Their live shows inject rhythmic beats and pulsating arpeggios with heavy electronics fused with a spacey psychedelic sonic treatment. The duo operates on the dance floor with a powerful performative representation creating an excursive, unforgettable experience.

Well known for their extensive discography, much of which is produced at the infamous Ark of Noise studio, the project’s prolific output includes a variety of releases on labels such as Death & Leisure, Pinkman, Khemia, and Veyl Records, as well as tracks on various compilations.

Notably, their two flagship albums, 2xLP Suicide Disco (Veyl, 2019) and Suicide Disco Vol.2 (Veyl, 2023), have made a significant impact, and extraordinary offering that set fire to dance floors everywhere and is also the name the duo coined to describe their sound. Additionally, both albums led to the release of two massive remix EPs in 2020 & 2024, featuring reworks by artists including Silent Servant, Orphx, Broken English Club, and The Hacker, among others.

For live/DJ/live+DJ booking inquiries and offerings worldwide, please contact antonia@altaragency.com. Thank you.